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They make this sound like new but this 3D tracking technology has been available for years & used on feature films all the time for stabilizing & placing CG elements in to live-action film. These are a few software companies that sell this technology & some of the vfx companies have their own in-house developed software:

Syntheyes- http://www.ssontech.com/

Boujou 3D- http://www.2d3.com/

PFHoe- http://www.pfhoe.com/



I think you missed the point, their key innovation is to use a content preserving warp on a frame-by-frame basis to recreate almost ANY motion path they like ( provided that the path is close enough to the original path of course ).

The software you listed are simply a part of the system which they developed use, the tracking/scene analysis part of it. And you are right, that part of the software is not overly difficult to write, in fact you can throw together a Harris Corner detector + RANSAC to find correlation between the points and it'll do quite ok. In their case, they decided to use the Voodoo camera tracking system available here:

http://www.digilab.uni-hannover.de/docs/manual.html

which is comparable to the software you have listed

What I'm most interested in is the speed of processing their warps. From my experience of playing with ITK/VTK, generating non-rigid warps using b-spline, MFFD or any of the current algorithms takes a LONG time if you take the image content into account. I need to read the paper more carefully to find out.


Quite so, but those solutions are very expensive either in terms of up-front costs or labor to apply. This has a 'just works automagically' aspect that's going to make it very popular, enough that it might well show in camera firmware within a few years if it can be sufficiently optimized.

Although this will be greatest interest to indie film and TV makers right now, selling to that market is a loss leader for most companies - the big bucks come from hobbyist consumers that want to shoot pictures or video but are happy to get an assist from the camera - hence the obsession with good autofocus on most camcorders, whereas pros are willing to pay a lot more for manual control of the focus plane. This is instant Win for whoever implements it first - it'll make consumers feel like pros, and it will save pros LOTS of money.




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