Funny, because (as an older article said) Gladwell is Rand's idea of a villain and vice-versa. They've both got flaws, but Gladwell in particular likes to coin phrases and say things that are easy for others to parrot, and this cap rates thing is among them.
This is the country that has spawned the richest people on the planet, many of them from very lowly backgrounds. The most influential web sites on the planet came from the
United States. The greatest TV shows I've seen were all but one American, and the one - The Office - managed to at least win Ricky Gervais an Emmy once he brought it over here. Ditto greatest movies. In almost every field, America has got at least a distinctive presence. So obviously some people are escaping the stupid, impoverished culture.
I think that in Atlas Rand does abandon villains, but I feel that's because she's relying on her readers to have read The Fountainhead so we can already understand their justifications. In that earlier book, she spends a lot of time treating her villains with sympathy. She tries to explain why they are what they are. And while I agree that she does simplify in Atlas, I've absolutely met people who have similar mindsets to the villains from The Fountainhead - she's not just making up that type of person, and they often are as vile and as insignificant as she paints them to be.
> They've both got flaws, but Gladwell in particular likes to coin phrases and say things that are easy for others to parrot, and this cap rates thing is among them.
He does make it easy for people to parrot things. But the human capitalization rate is a genuinely valuable concept. I read an article recently (possibly here?) about someone working on glasses that the users could adjust themselves, eliminating the need for an optometrist. He's trying to get these distributed on a really wide scale in countries which are too poor to afford optometry, because failing eyesight stops a great many from being able to work.
> So obviously some people are escaping the stupid, impoverished culture.
Individuals definitely do rise up from poverty, but that's a sociological rarity. Most people who grow up poor among other poor folks are indoctrinated into the idea that this is just how it is. It's extremely rare to find a poor person who's able to step back from all that and defiantly work his way up.
> I think that in Atlas Rand does abandon villains, but I feel that's because she's relying on her readers to have read The Fountainhead so we can already understand their justifications.
It's been a while since I read Fountainhead, but the only prominent villains I remember are Keating and Toohey. They seemed to be remarkably capable men, but Keating sabotaged his potential by constantly seeking others' approval. Toohey, I guess, was supposed to be the apotheosis of that mindset.
I'm thinking more about, say, the jaded bum from Atlas Shrugged, or the workers who don't have a love of what they do and aren't highly competent at it. Rand seems pretty happy to just treat them all with contempt, rather than understand where they're coming from and why.
This is the country that has spawned the richest people on the planet, many of them from very lowly backgrounds. The most influential web sites on the planet came from the United States. The greatest TV shows I've seen were all but one American, and the one - The Office - managed to at least win Ricky Gervais an Emmy once he brought it over here. Ditto greatest movies. In almost every field, America has got at least a distinctive presence. So obviously some people are escaping the stupid, impoverished culture.
I think that in Atlas Rand does abandon villains, but I feel that's because she's relying on her readers to have read The Fountainhead so we can already understand their justifications. In that earlier book, she spends a lot of time treating her villains with sympathy. She tries to explain why they are what they are. And while I agree that she does simplify in Atlas, I've absolutely met people who have similar mindsets to the villains from The Fountainhead - she's not just making up that type of person, and they often are as vile and as insignificant as she paints them to be.