The title is a bit misleading IMHO. It's more like analog vs digital.
After all, from an electrical point of view they're usually just potentiometers and you can build them either as rotary or as linear potentiometers, but it's just a wiper on a resistive conductive track... (of course there are exceptions that work differently and use hall effect or optical sensors).
The article only talks about the actual circuit that is behind that potentiometer.
Having built some MIDI controllers myself in the past, I noticed that rotary potentiometers allow you to better "decouple" arm/shoulder movements from hand/finger movements. I.e. when you're standing and and holding that knob, It's easier to make precise adjustments when there's a rotary knob you can "hold on to" and slowly twist your fingers, whereas with a linear potentiometer I usually have to keep a finger on the surface next to the knob to "compensate" for involuntary movements coming from my body and arm...
This is also my experience. I'm not a DJ but I perform live electronic music using various MIDI controllers. If I quickly want to add or remove a sound, like a kick drum, to/from the mix, a slider is best. If I need fine control over a parameter, like a low-pass filter frequency, a rotary controller is usually better for the reasons you mentioned.
As alluded to in the article, rotary vs. linear seems to be a proxy for the circuit which actually influences the sound. I would think that anyone claiming "mixers with rotaries always sound better" does not fully understand how they work. There's a lot of those kind of claims in the music scene.
Yes, this is the same for controls in a car. Whoever thought a touch display was the way to go? Our old car had twisty-nobs that you could feel direction already on the grip. No need to look on the symbols what they adjusted. Our "modern" car has still twisty-nobs (we made extra sure of that) but you can't feel the direction because they are perfectly round with a tiny tiny nob for direction. Why do I get the impression development goes backwards?
The hardware is much cheaper, but it is also way cheaper to engineer, and because a touchscreen is a very one-dimensional interface, many questions don't even need to be asked. There's no texture, shape or feedback in a touchscreen, for example.
Turbulent flow mixers. (Typically operated in industrial processess where two or more products are pumped through a specially shaped manifold which causes intentional turbulence in the material to mix the different streams.)
You could have at least three types of linear mixers:
- One where some type of spoon goes back and forth. This would probably just be worse than a rotary mixer though.
- One where the entire "basin" oscillates back and forth like a seesaw, like the machines they have at the blood bank to make sure the blood mixes well with the anticoagulant in the bag(s).
- One where the basin is airtight and vibrated up and down vigorously. I could see this work quite well for dry-ish mixtures of different particles, like if you have flour and sugar together in a container and want them mixed.
Even when started reading I still didn't know what it was about. When DJs were mentioned I thought it was something related to turntables, as they are the rotary thing? Vinyl was mentioned in few places so it must be it? Then audiophiles were mentioned which is super strange since audiophiles don't use mixers at all. You're not mixing anything when you listen to music.
Turned out it's just about rotary vs linear potentiometers. Or I misunderstood everything.
How an entire article about rotary mixers fails to mention Rane or their legendary MP2016 mixer is wild.
It became one of the most commonly available rotary mixers, was the house mixer for many NYC clubs, and one of the mixers commonly found on tech riders of DJs who were the last to transition to CDJs.
Random bit of trivia: if you see old school photos or videos of rotary mixers in American clubs, sometimes it wasn't actually the Rane MP2016, but the Phazon SDX 3700: https://www.integralsound.com/sdx-3700-mixer It was the house mixer for Tunnel/Limelight.
Any headline with a question...
Of course it depends on what you want to do and what you are used to.
Technically, regardless of the rest of the product design there are high quality potentiometers available both as linear faders or rotary knobs. I guess dirt is more likely to get into a linear fader and make it scratchy - especially in a club environment.
You can't do (or it is much more involved) to do cuts with rotary knobs. So they serve only the DJ who does slow mixes, while with faders you can do both.
Is there anything that compares to their absolute dominance? Every one is using their CDJs these days. Occasionally people still break out the steel wheels but Pioneer seem to have completely captured the market.
Allen & Heath Xone 96 (or previous 92 model) mixers are very popular in the techno world.
Pioneer DJMs have dozens of FX combinations to aid with fast/fancy transitions, whereas techno/trance (and similar) genres that rely on long smooth blends like the extra EQ channel and filters.
I don't know any hip-hop DJs that use Xones?
The Xones are also analogue vs digital Pioneer mixers which also plays a part in audio quality, especially if the source is analogue (vinyl, rack modules, etc).
I'm happy with my Pioneer DJM-750mk2... but also happy to exchange a kidney for Xone:96 :-)
I actually have a Taula 2 and a Xone 92 at home. I prefer the Taula 2, due to the simplicity and the fact that it has an isolator. The Xone 92 has a four band IQ and a filter, which I like a lot, but I have the impression that all the bells and whistles take a toll on the quality. At least in a home listening setup.
Totally agree. But I guess most audio software expect you to map those rotary potentiometers to actual midi controller with infinite rotary encoder and the UI serves as a way to see the status.
Having said that you can totally map a physical rotary encoder to a linear one in the software so this is not a good excuse.
If it's operated by a mouse you're not sure where to click and hold, and how it will react when you move mouse in which direction.
I assume you're using it a lot and then it's intuitive. For novice it's not. If I click on bottom part will it operate in another direction compared with clicking on top part? Or what about if I click on left or right edge? Can I also move mouse up-down and left-right or is only one direction allowed? Is mouse-up turning knob up or down? Are these rules same in all software or knob behaves slightly different everywhere? I have no idea for any of that except if I try and see. And since I rarely use them it's always a source for frustration.
Especially compared to linear slider which is impossible to misunderstand and you can't operate in it wrong way.
> Are these rules same in all software or knob behaves slightly different everywhere?
They're different everywhere.
My own opinion is that on-screen knobs for audio-type work can be fine as long as one can grab any part of the knob with the mouse and adjust it by moving the mouse up and down (er...well, physically forward and back).
But things are not always this way so it seems that opinions vary.
The article only talks about the actual circuit that is behind that potentiometer.
Having built some MIDI controllers myself in the past, I noticed that rotary potentiometers allow you to better "decouple" arm/shoulder movements from hand/finger movements. I.e. when you're standing and and holding that knob, It's easier to make precise adjustments when there's a rotary knob you can "hold on to" and slowly twist your fingers, whereas with a linear potentiometer I usually have to keep a finger on the surface next to the knob to "compensate" for involuntary movements coming from my body and arm...
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