I recommend only with three serious reservations: Viewers should be well aware of the Kuleshov effect. Viewers should understand that Curtis is highly selective in what he takes and puts together. Viewers should carefully consider any decision to watch while under the influence of substances that tend to make you suggestible or impressed.
The amount of archival footage Curtis riffles through for his pieces is an impressive part of the story of his storytelling. It should also be its own implicit warning. The runtime of the footage he watched and did not include dwarfs the runtime of any single piece of his you might see. To be well read on any particular event, much less time period, that he jaunts through would take a stack of books and a lot of serious attention.
The amount of archival footage Curtis riffles through for his pieces is an impressive part of the story of his storytelling. It should also be its own implicit warning. The runtime of the footage he watched and did not include dwarfs the runtime of any single piece of his you might see. To be well read on any particular event, much less time period, that he jaunts through would take a stack of books and a lot of serious attention.