I think that’s one of the issue. The transformation done by these tools are mechanical. Even if it may be extensive. The human input is too small. Omniman may have similarities with Superman, but he is not him in the larger context of the story. LLMs can not yet be that consistent for marketable output that deserves to be copyrightable.
I’m perfectly fine for LLMs to aid with spell checking and alternative phrasing (image is a grayer area). Bu the ideas of prompts and prompt output being copyrightable is something I oppose.
the prompts have become somewhat creative these days. If you have a look at the prompts on https://civitai.com for example, you can argue they are a form of creative expression. Just like hand rolling assembly code might be.
High detail, dynamic action pose, masterwork, professional, fantasy, neo classical fine art, of a beautiful, primordial and fierce, ((angel-winged-woman,:1.9)), archangel, (MiddleEastern:1.6), with very long, flowing, wavy white hair, peach colored streaks, with a sexy, slender, fit body, wearing an ethereal, light violet, light aqua, faded gold, tie-dye, linen and Chantily lace, (knee length:1.5), strapless dress with a tattered hem, a Platinum and gold Cuirass, platinum vambraces, platinum and lace Gladiator Boots, long broadsword in a Baldric, at night, in a metropolis warzone, during a thunderstorm, dimly lit, thin, vibrant streaks of crimson light, outlining her body, fantasy illustration, in the style of Osamu Tezuka, George Edward Hurrell, Albert Witzel, Hiromitsu Takeda, Clarence Bull, Gil Elvgren, Ruth Harriet Louise, Takaki, Milton Greene, Huang Guangjian, and Cecil Beaton,, High detail, dynamic action pose, masterwork, professional, fantasy, neo classical fine art, of a beautiful, primordial and fierce, ((angel-winged-woman,:1.9)), archangel, (Columbian:1.6), with very long, flowing, wavy white hair, peach colored streaks, with a sexy, slender, fit body, wearing an ethereal, light violet, light aqua, faded gold, tie-dye, linen and Chantily lace, (knee length:1.5), strapless dress with a tattered hem, a Platinum and gold Cuirass, platinum vambraces, platinum and lace Gladiator Boots, long broadsword in a Baldric, at night, in a metropolis warzone, during a thunderstorm, dimly lit, thin, vibrant streaks of crimson light, outlining her body, fantasy illustration, in the style of Osamu Tezuka, George Edward Hurrell, Albert Witzel, Hiromitsu Takeda, Clarence Bull, Gil Elvgren, Ruth Harriet Louise, Takaki, Milton Greene, Huang Guangjian, and Cecil Beaton,
That’s a perfect example, they said “during a thunderstorm” does that image look like it’s in a thunderstorm? Sure, the output of the prompt relates to what was said, but they influenced the output rather than controlled it.
Further, it’s well known that simply telling an artist what you want even including quite detailed descriptions isn’t enough to get copyright over the resulting image.
I think that’s one of the issue. The transformation done by these tools are mechanical. Even if it may be extensive. The human input is too small. Omniman may have similarities with Superman, but he is not him in the larger context of the story. LLMs can not yet be that consistent for marketable output that deserves to be copyrightable.
I’m perfectly fine for LLMs to aid with spell checking and alternative phrasing (image is a grayer area). Bu the ideas of prompts and prompt output being copyrightable is something I oppose.