>> Marketing and distribution is a sizeable chunk of money in a project too
How is a movie marketed and distributed in the film industry?
>> - Camera and grip departement can get huge... I've done only a moderate size productions and my camera and grip dept. was 20-30 people (skilled labour that costs money)
Could the team size be reduced by more/better technology?
>> Sound designers start their work (sound design is a major component of content along with images) - Composer starts their work
>> Prop dept. is rare in talent and costs a lot of money, traditional FX even more so - Sound designers which are good are rare, they cost, their hardware and software costs. Foley is even more rare to find.
How much of this work can be outsource to other countries?
The recent film The Devil Inside is a good example.
Independently produced outside the system. Shot in Romania, I believe. Reported budget "just under a million", but that's often code for "a few hundred thousand", which is what it looks like.
Acquired by Paramount Insurge for a million. Insurge is a brand formed after the success of Paranormal Activity to make very low budget projects.
But then Paramount spent $15 million to market the thing. So the cost of production was tiny percentage of the overall cost. It was the marketing that mattered in the end.
And it worked. Opening weekend box office alone brought the film to breakeven, even after you deduct everything else. $35 million dollars gross.
And it's almost universally thought to be an awful movie.
How is a movie marketed and distributed in the film industry?
It's not my expertise so I can't dwell into detail, but you can see it for yourself too - mostly via traditional channels, print and billboards, tv and radio trailers, online campaigns.
Could the team size be reduced by more/better technology?
Yes, but not by much! For example 35mm film is now more or less obsolete - average movie is shot on 20:1 ratio (for 90 minutes of running time, 1800 minutes is shot), that shaved off about $100,000 in negatives alone (around $5000 per hour of negative - costs of processing and making copies with film is additional cost). Film equipment can get cheaper. Dollies (like panther) cost around $60,000+ for example, good optics is 250,000 euros etc... Film lights are expensive too, but you need grip crew to operate them. I see opportunity in reducing costs of film equipment, but not so much in crew size.
How much of this work can be outsource to other countries?
It can and is, but as productions shifted from California to other countries those same countries started raising prices over time - so it's not so much as a cost reduction anymore... other countries now compete more on tax incentives than lower salaries (cost of equipment is more or less the same everywhere).
As you know, though, the cost of film and development is hardly worth talking about, particularly in big budget motion pictures. Shooting video, nowadays, is a convenience mostly. The cameras are far more expensive, as is the support equipment, but transmitting completed video and editing is far cleaner.
How is a movie marketed and distributed in the film industry?
>> - Camera and grip departement can get huge... I've done only a moderate size productions and my camera and grip dept. was 20-30 people (skilled labour that costs money)
Could the team size be reduced by more/better technology?
>> Sound designers start their work (sound design is a major component of content along with images) - Composer starts their work
>> Prop dept. is rare in talent and costs a lot of money, traditional FX even more so - Sound designers which are good are rare, they cost, their hardware and software costs. Foley is even more rare to find.
How much of this work can be outsource to other countries?