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Most of the musicians whose tickets go for thousands of dollars these days either were hugely successful by taking risks before the rise of algorithmic taste-making (and have older, wealthier audiences) or are basically meat puppets of the ad industry whose music, clothing style, branding, attitude, play frequency on streaming services, and even ticket prices are basically hydra heads of the same giant algorithmic psy-op that generates 40 songs per genre per year... pretty much the same as the latest machine-written sloppy ballad sung by the prole washerwoman in "1984". Pointing to the current hollow shell of creative void that is the music industry just shows how AI will use human faces to trick humans into feeling something and paying for the "experience". Yes, we still have Springsteen... but there's no new Springsteen. If e.g. Adam Levine were replaced by a humanoid robot or a deepfake, would any of his fans actually notice or care?



> If e.g. Adam Levine were replaced by a humanoid robot or a deepfake, would any of his fans actually notice or care?

As a Hatsune Miku fan... I can say... Yes?

People have been using AI generated vocals for well over a decade. The Hatsune Miku community differentiates songs and can tell who the composers or artists are even if they're all using the same voice.

There's a pretty big difference between say... "Karakuri Pierrot" and "Senbonzakura"


This came out recently and shows it well I feel.

2 producers, same vocal software, distinctive sounds between them.

https://www.youtube.com/watch?v=lMEt3RdqB9Y




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