It's interesting, I wouldn't have described Dan's writing vs Paul Graham's writing in that manner. Dan tends to be rather affect-less, with a very neutral, almost scientific tone. I agree that PG is more authoritative but there's also this contrarian, almost Pauline Kael-esque quality to his writing. Phrases like "Nerds don't care about glamour, so to them the appeal of New York is a mystery." aren't just authoritative, they're provocative and almost purposefully insulting.
I'm a little surprised that Dan wrote this otherwise very nice post on writing and didn't mention the counterbalance to writing: reading. If you want to write, read a lot. My writing owes a lot to writers such as James Baldwin, Robert Caro, Calvin Trillin, etc. Specifically, read published works. I love reading a blog post as much as anyone else but there is a marked difference in quality between a blog post and a book or a high quality newspaper article.
One could argue that reading leads to aping but I disagree that aping is necessarily bad. Experts do not always have good ideas on how to teach because they understand the deep, universal theory and therefore think that everybody should learn from the deep, universal theory. In truth, beginners can't and won't learn deep theory. You have to start with imitating your tennis instructor's serve and then move onto the underlying concept of how a serve works. Complaining that beginners don't know the underlying theory and are just imitating is essentially complaining that beginners are beginners. Plus mimicry is a good way to learn. When I fenced, I remember that some fencers would mimic famous fencers as a joke. But it really did help them find their own style by letting them play with the different styles and think outside their own conventions.
Thus my advice: read a lot of books; imitate as much as you like; and write a lot.
"Thus my advice: read a lot of books; imitate as much as you like; and write a lot."
Live life too. Experience how the others live. Always write from the heart.
In all honestly, I don't feel wealthy men can write well. Strike that last sentance. They can churn out sentences, but they are not interesting.
We suffer through their writing becacuse they are wealthy.
We feel they must have something inciteful to say because we equate wealth with talent.
I think every wealthy writer knows their best work was done when they were comming up, and almost always when they were poor, and struggling.
I can honestly say the only perk of being poor is you will be a good writer of you take the time to write something, or better than the wealthy man on his best day.
(I don't feel like a debate. It's just my opinion. And I'm sure you will find good writers that are financially well off, but they wern't always wealthy.)
They probably should get some advice on styling though. This site is hard to read in a wide screen and I have to resize the viewport. Not extremely problematic but definitely something to consider when having these 'ultra bare-bones' sites with no clear style.
If I have to resize the window then it will resize other tabs. If I need to put this in a different tab then it is kind of a hassle for a site that does not look that welcoming to me.
I just resize the window when I start reading. And when I close the tab to read something else I resize the window again to fit that content. Now when I've made aware of it, I realise I do it all the time without thinking.
All this analysis and commentary and he can't see the forest from the trees. He breaks one of the most important rules in writing: when using an uncommon acronym, in this case "RC", one should _always_ provide the full name for it first before using the acronym, i.e. in this case writing "Recourse (RC)", then one can continue to use the acronym. I shouldn't have to click RC to figure out what it is. Infuriating.
I have tried every tip/advice under the sun and cannot say any of them have worked. Writing is subjective. What works for one author will not work for another. I think the audience and name recognition matters more than specific tips or strategies..
Do people who write immerse themselves in other authors' work immediately prior to writing? I've thought this would be a good way to get in a rhythm. I've also wondered if writers have lists of nifty words or phrases that they want to use. Or do these words just occur to them midstream?
It varies. I have some writer friends (successful as in multiple books of fiction published, creative writing university teaching gigs, etc.) who don't read at all while they're writing others who do the opposite. I, personally, am always writing something and always reading something. I do need to be careful at times because there are writers with really strong voices who can overpower mine if I'm not conscientious (Kurt Vonnegut and J. D. Salinger have had that effect in the past).
I do keep lists of words and phrases, largely things that it occurs to me that this is the way to describe something I've been having trouble describing, but most of the time I'll keep working at a sentence until it says what I want the way I want it to.
But reading is absolutely essential, and reading to really understand the mechanics of how something works. Francine Prose's Reading Like a Writer is a good introduction to how to do this.
The story goes that Hunter S Thompson typed out the Great Gatsby to get the flow of the writing. Quite a different approach to his infamous daily routine.
I would have tried to read this but the 1994 styling of the page made it impossible. Long lines on my laptop, no margins, tiny font size. All of which can be fixed with a few lines of CSS.
Resize the window to obtain shorter lines, you can adjust text size from within the browser (ctrl & '+'), or edit the css yourself with the developer tools.
I personally find the presentation clean and simple. Perfect for focusing on the content. Much better than most of the css&js loaded sites out there that restrict you a lot more.
On Writing I found to be very specialized for the fiction writer (not surprisingly given King's body of work). Not incredibly relevant to the non-fiction blogger IMO.
Still a good book overall though, don't get my wrong.
I haven’t read the King book, but On Writing Well by Zinser is generally recommended for a non fiction audience, and I find it really helpful. It’s short enough that it can be reread and it puts me in the right headspace for technical writing.
I've found reading lots, especially from revered authors from all nationalities, Steinbeck and Doestovsky I hold in great esteem, has had a great impact on my writing style.
I suppose we all try to emulate those we hold in esteem, and I think reading a lot from authors we like, can have a great influence in our ability to convey meaning through words.
I kind of understand why HN strips the "How" prefix off titles, but I think this one needs it: "How I think about writing" is very different from "I think about writing".
"Please don't complain about tangential annoyances—things like article or website formats, name collisions, or back-button breakage. They're too common to be interesting."
- The styling and content on this website: I regularly get design folks and typographers telling me how stupid the design is, frequently in ways that become condescending very quickly if I engage with them
- - But, when I tested out switching to the current design from the generally highly lauded Octopress design, this one got much better engagement when a user landed on the site and also appeared to get passed around a lot more as well
- - When I've compared my traffic numbers to major coprorate blogs, my blog completely dominates most < $100B companies (e.g., it gets an order of magnitude more traffic than my employer's blog and my employer is a $50B company)
- - When I started my blog (and this is still true today), writing advice for programming blogs was to keep it short, maybe 500 to 1000 words. Most of my blog posts are 5000 to 10000 words.
What I’ve done with all of his posts is used reader mode in Safari.
Huh, I like his page just fine in normal view, but reader view works really well there.
I'm glad he uses minimal styling. Designs which look bad in normal view are usually fixed by reader view. Designs which look bad in reader view are probably completely unsalvagable.
Wait... why? What is wrong with content without bullshit? It is black on white text, and just that. I see no problem with it. I would rather have this than one giant word per line in the middle (absurd spacing and absurd font sizes are trendy nowadays).
I completely understand this reaction, as I also feel... weird at first whenever I see his site. Specifically I always feel I'd like to have space on the sides.
Having said that.... I frequently read his posts, and don't find his lack of space on the sides (or any other lack of style) prevents me from reading his blog posts.
Is there any specific reason why we feel this 'weirdness' from the lack of style beyond a built in expectation we all have about styling that we've seen in other sites?
This might be the most boring thing ever written about writing. The English language is a linguistic miracle, a beautiful acrobatic freakshow--and this is what you do with it? If I wanted more of this prose, I would just read Wikipedia. There's no daring, irony, or personality in it. Like the website itself, it's austere to the point of sterility.
>The "improve writing" goal is because I found my writing annoyingly awkward and wanted to fix that. I frequently wrote sentences or paragraphs that seemed clunky to me, like when you misspell a word and it looks wrong no matter how you try re-spelling it.
That's because your writing is so pedantically subdued that it doesn't resemble the ways that humans actually communicate.
The problem is (imo) that he's writing for himself and not an audience. It reads like a stream-of-consciousness journal entry, not a thoughtful attempt at relaying information to another mind. A good start would be learning to self-edit; the length could be cut significantly with no real loss of content.
What's particularly aggravating is that he knows, more or less, what clear, concise writing is (cf. his discussion of "classic style") and goes out of his way to not write like that. Yes, I read his justification. No, it's not good.
Someone is going to chime in by saying that I must be wrong because his articles frequently reach the HN frontpage. But correlation is not causation. The actual information content is generally really good – that's why they're popular. But they'd be even better with more attention to the mechanics of writing.
Concise writing does not go viral like long writing does. I have observed that longer articles have more success even if few people read them in their entirety. Slate Star Codex articles are often long and go viral.
That is partly why it was a success. Good writing does not need to be exciting or catchy. Journalists are always trying to set up the reader's expectations with charged language and then the article fails to meet those expectations.
Having read some of Dan Luu's other prose I think this is a bit unfair. The sort of meta analysis of writing always comes off a bit navel gazy I suppose, but I don't think you have put his post in context with some of the other things he's written. In those entries of his blog I always find the prose flows quite nicely.
Perhaps submitters need to consider that not every single post of dan's merits an HN post? or the voters or what ever else drives the front page algorithm
Please don't fulminate or sneer on HN. It's against the site guidelines: https://news.ycombinator.com/newsguidelines.html - because it is destructive of the kind of culture we're hoping for here.
That goes regardless of who you're fulminating against or sneering at. Perhaps you don't feel you owe those targets better, but you definitely owe this community better if you're participating in it.
If this article is giving writing advice I find that somewhat ironic, since it does nothing whatsoever in the early sentences to make me want to read it or indeed have the faintest idea what its subject or aims are.
For some context, the likely reason that this is on the front page is that most of his essays, which are many, do very well on HN[1]. If you consider that body of work, this may be a more interesting insight into writing to explore.
Seems like several others here felt the same way as me, and this isn't a long comment thread:
> This might be the most boring thing ever written about writing.
> The problem is (imo) that he's writing for himself and not an audience. It reads like a stream-of-consciousness journal entry, not a thoughtful attempt at relaying information to another mind. A good start would be learning to self-edit; the length could be cut significantly with no real loss of content.
> There isn't much more to this article than an author clarifying for himself how he thinks about things. He succeeds at that, sure, and is better off for it, but it's dreary for the rest of us!
And that's fine. You hate his writing (style) so you don't read it. Others feel differently, enough that he has many, many readers. Clearly there's room for many different styles of writing to find an audience.
Also: This website desperately needs to limit the number of characters per line instead of just going to the side of the screen and wrapping. It's an abomination on a widescreen monitor.
I agree that it'd be easier to read with wrapping, though "abomination" is rather too strong. You can just click "reader mode" in your browser, or size the window down to something readable.
I like my text wide too. I think the usual advice of 80–100 characters per line is much too conservative. But as one wide text lover to another: this is clearly beyond the bounds of good taste.
Regarding your second question, I don't feel I should be responsible for fixing the formatting mistakes of other people's websites.
> as one wide text lover to another: this is clearly beyond the bounds of good taste.
I disagree. I like it as it is. Maybe a small amount of margin (HN-style) would help, but I certainly wouldn't want to see it introduce a maximum width.
> Regarding your second question, I don't feel I should be responsible for fixing the formatting mistakes of other people's websites.
I think websites should be created ready to be reflowed at the user's convenience - that's the whole point of using HTML over things like PDF. If the user wants a particular max-width, they should have their user agent apply it. Whereas if the website makes its own choice of max-width, it's virtually impossible for the user to "undo" that. (I did try setting "body max-width: undefined !important" in Stylish for a while, but that breaks too many pages)
I'm a little surprised that Dan wrote this otherwise very nice post on writing and didn't mention the counterbalance to writing: reading. If you want to write, read a lot. My writing owes a lot to writers such as James Baldwin, Robert Caro, Calvin Trillin, etc. Specifically, read published works. I love reading a blog post as much as anyone else but there is a marked difference in quality between a blog post and a book or a high quality newspaper article.
One could argue that reading leads to aping but I disagree that aping is necessarily bad. Experts do not always have good ideas on how to teach because they understand the deep, universal theory and therefore think that everybody should learn from the deep, universal theory. In truth, beginners can't and won't learn deep theory. You have to start with imitating your tennis instructor's serve and then move onto the underlying concept of how a serve works. Complaining that beginners don't know the underlying theory and are just imitating is essentially complaining that beginners are beginners. Plus mimicry is a good way to learn. When I fenced, I remember that some fencers would mimic famous fencers as a joke. But it really did help them find their own style by letting them play with the different styles and think outside their own conventions.
Thus my advice: read a lot of books; imitate as much as you like; and write a lot.