I remember when compact discs came out, in a way it felt like a downgrade from cassette tapes. Tapes were smaller, more durable, cheaper, record-able (CDs fixed this later but it took a while), and didn't skip when you played them while moving or jogging. The sound was perhaps a bit lower quality but it didn't stand out significantly IMHO. CDs were definitely cool. But the gadget factor was pretty heavy in their value proposition. I guess the other part of the value prop with CDs was that they eventually also became useful as a digital storage medium for PCs. But it felt almost like the economics ended up forcing them on audiophiles.
My reaction back then (late 80s) was pretty much the opposite of yours.
To me CDs were the promise of clean digital noiseless audio, without needing to go through the expensive hifi jungle to find something that sounded decent. I welcomed it with open arms. It felt like a way of democratising high quality sound.
I was super excited because it allowed me to experience music in a much better way.
Plus with CD's you could listen to the tracks in any order you want, or skip over the song you don't like instantly. For me it was a huge upgrade from casettes, I bought a portable CD player as soon as I could afford one so I could stop copying stuff to cassette to listen away from home.
On belts: don't bother with the cheap ones on Amazon (30 belts for $5). Trust me, they are terrible. They are not uniform thickness so you end up with terrible wow.
(Look up the store in Dayton, it even looks like a classic mom and pop electronics store).
One more hint: if you have a belt that slips off a pulley, most likely reason is that the pulley axes are not parallel with each other, and probably nothing to do with tension.
I'll say that you probably shouldn't be into cassettes these days if you aren't interested in learning how to do basic maintenance yourself (cleaning capstans and the like). You can pick up a tape deck on eBay or find one on the street, so it might seem like it's not so big a deal if they fail, but without an understanding of how easily they fail, the amount of money / time / storage space you spend on them can rapidly outstrip the amount of enjoyment / nostalgia you get from using them.
Both tapes and tape players can be in poor condition. If you stick a dirty tape into some old tape player, you can end up with gummed-up capstans, which can snag the tape and destroy it... and then you may have no idea how to remove the tape without damaging the tape player. You'll suddenly be evaluating your hobby and wondering if you want to buy a new one or try to rescue the one you damaged. Or you might have a dirty head, which scratches the tape, and you might not figure it out and ruin some perfectly good tapes.
Long ago I remember seeing a guide much like this for VCR repair. Although it had fewer images, it had much more text. I haven't been able to find it since.
Funnily enough, I have a SAMS book on VCR troubleshooting and repair on my bookshelf right next to me. Reminds me I need to finish digitizing a handful of tapes before I retire my deck.
(Interestingly, used VCR troubleshooting books are scarce on Amazon. I would assume this is the kind of book where people go "No one wants this outdated crap" and just throws it out rather than pushing it into whatever the used book resell channel looks like.)
I would love to buy a modern portable cassette player, but it seems that all of them use the exact same terrible cassette mechanism on the inside, leading to poor quality. If someone can point me somewhere that's still producing quality portable cassette decks that would be grand.
Even though you can buy it new, you will still have to do maintenance. A clean capstan will become a dirty capstan. $600 is also quite expensive. For that much money, I can easily get a working reel-to-reel tape machine, plus a supply of media.
> The smoothing out is done by the elasticity of the belt which provides mechanical isolation and by a flywheel. With the exception of one esoteric Eumig brand deck, all cassette decks have flywheels.
I just had to look this up. Interestingly the Eumig tape deck used a small mechanical fan to dampen the tape movement.
The white fan can be seen in the third and fourth pictures on this site:
This hobby is especially fun if you know someone else who is into it you can trade mix tapes with. I got hooked after I picked up a deck for $5 at a flea market. All it needed was a good cleaning. Since then I've picked up 3 more decks.
I'm confident that a tape made and played on a high end deck in good condition is for most people indistinguishable from any other source playing on the same speakers.
Pretty timely as I'm hunting down an old (practically bulletproof) Sony TC-D5M field recorder for my system here and want to know what I'm getting into since there are some known issues that crop up in due time. I already restore old videogame consoles and try to do my own stunts in repairing and maintaining what I've got, so this is really helpful.
I recently bought a PMD221 as a high-end data cassette recorder/player. I was having trouble transferring zx-spectrum games onto cassette using a cheap recorder, but PMD221 works great.
I'm impressed at the level of detail in this guide, and have bookmarked it for when I (eventually) get round to fixing my decks (one with an electrical issue affecting the left channel, one with mechanical issues, and several more with just general "issues" that will need to be diagnosed before any repair can be carried out!)
