I don't think there's any such thing as "no design" (though I understand you to mean the academic subject).
All design evokes something. Colours, font, margin and spacing, edges and borders - it all evokes some things that came before it more than others, and the relationship with the human body and its feeling of agoraphobia and claustrophobia, kinematics - whether controls are pointy or smooth, hard or soft, stiff or slick or springy, continuous or with detents - it all adds up to an aesthetic.
You can't help but have design. You know when things don't "feel" right. When something feels flimsy instead of solid; when it's haphazard instead of regular. And when the design is exceptionally poor, chaotic, that too is a design - a kind of mad, insane design, or primitive and naive, unskilled - it always evokes something.
I meant it as an academic subject. In terms of colour,shape,form, function,and other,so called design properties, were well understood, however not always applied, especially in consumer products.
All design evokes something. Colours, font, margin and spacing, edges and borders - it all evokes some things that came before it more than others, and the relationship with the human body and its feeling of agoraphobia and claustrophobia, kinematics - whether controls are pointy or smooth, hard or soft, stiff or slick or springy, continuous or with detents - it all adds up to an aesthetic.
You can't help but have design. You know when things don't "feel" right. When something feels flimsy instead of solid; when it's haphazard instead of regular. And when the design is exceptionally poor, chaotic, that too is a design - a kind of mad, insane design, or primitive and naive, unskilled - it always evokes something.