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Some of the greatest pieces of expression that have endured the test of time and taste (from the ceiling of the Sistine Chapel to Norman Rockwell's most iconic American slices of life to Hemingway's "The Sun Also Rises") were almost resoundingly commissioned works, the artist working full time on their craft and getting paid to do so. Most artists are career changers, going from a "normal" job to one of creativity and artistry.

Even John Keats, the "poster boy" for poetic works of unending beauty and pure inspiration, quit his job as a surgeon-in-training to become a full-time published-and-paid poet. He could've easily worked his day job as a surgeon and moonlighted as a for-free poet by night. His primary goal was to be a poet, and he found the only way to do so was by making it his career.

Even Vincent Van Gogh, the more modern keeper of raw artistic expression, pined for more people to buy his work, not the least of reasons being to fend off abject poverty, but also as a validation of the style he admittedly created. He was resigned in his later years to live off his brother as he painted prodigiously, but by that point he was in the throes of psychosis. Is that what you meant by "art for art's sake"?

It's surely a romantic notion that artists draw forth passionate forms of expression from fending off psychological defect, hungry bellies, and harsh surroundings. But the truth is, every one of those artists to a person wanted to get paid doing what they do. Perhaps the money is a validation, or incidental being a published or culturally accepted artist, or simply a means to an end. Doesn't matter a whit. They want to do what they want to do full-time.

In other words, "Shakespeare got to get paid, son"[1]

[1] http://i.imgur.com/cyIGF.jpg




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