There’s a market. Not what it once was, because what was once the recording market was born out of necessity as much as anything else.
I, like a lot of other people, am definitely interested in the ephemera. I like owning records. There’s a tangible ritual to putting a record on, and there’s really something to be said for the sound. Even dirty records with their occasional pops and scratches. It’s a visceral appreciation for the medium, to be sure. That said I also buy a lot of paper books.
There’s also something to owning a copy. I use Apple Music these days when I’m commuting or on the road and it’s great. I can hear most anything I want for the price I pay each month, but I even still buy copies of albums I really love because they’re mine. It won’t go away if Apple decides to kill the streaming service, or if I decide to unsubscribe (which will be the case at some point because the stacking up of subscriptions wears on me).
On the whole? I don’t know. I’m curious about the data, too. But who is buying music? A lot of people! There is still a lot of people who don’t just see it as a commodity.
On that last note I’m not a great trend-chaser, so I probably have a certain lens I see the whole thing through—but I’m not the only one.
There’s a market. Not what it once was, because what was once the recording market was born out of necessity as much as anything else.
I, like a lot of other people, am definitely interested in the ephemera. I like owning records. There’s a tangible ritual to putting a record on, and there’s really something to be said for the sound. Even dirty records with their occasional pops and scratches. It’s a visceral appreciation for the medium, to be sure. That said I also buy a lot of paper books.
There’s also something to owning a copy. I use Apple Music these days when I’m commuting or on the road and it’s great. I can hear most anything I want for the price I pay each month, but I even still buy copies of albums I really love because they’re mine. It won’t go away if Apple decides to kill the streaming service, or if I decide to unsubscribe (which will be the case at some point because the stacking up of subscriptions wears on me).
On the whole? I don’t know. I’m curious about the data, too. But who is buying music? A lot of people! There is still a lot of people who don’t just see it as a commodity.
On that last note I’m not a great trend-chaser, so I probably have a certain lens I see the whole thing through—but I’m not the only one.