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A couple of anecdotes:

I went to a group rhythm workshop in San Francisco called TaKeTiNa wherein a group of 50 of us learned, over the course of a few hours, to perform a stomp/clap polyrhythm (that is, a sequence that is really the combination of two sequences with different time signatures) that I wouldn't have guessed we could learn in a single session. The facilitator guided us through by starting with an approachable subunit of the pattern, added to it piece by piece over a few minutes until we fell apart, and then gave us a few minutes of laying-down closed-eye rest time. When we came back, the previous segment seemed relatively easy, and we moved into further complexity. By the end, I was both exhausted and impressed at how much we had learned.

I played lacrosse in high school (West coast, believe it or not). Several times we were in a rut a few days before a big game, and our coach would cancel the intervening practices. We'd show up to the game and be astonished at how well we played. (I realize this is a very different time scale of effect, and is perhaps better explained by higher level psychological factors rather than a lower level neurological/memory-formation mechanism, but, then again, maybe it applies at multiple scales.)



San Francisco really is a different planet


I'd say that something similar would be possible in any city with a big artsy kind of people. Berlin came to mind immediately when I read what the workshop was about, for example.


the workshop facilitator was of ambiguous mediterranean origin and clearly traveled the world giving this workshop.

i've lived in SF for close to a decade—while it remains a very special and unique place, its reputation as a nexus of counterculture is overinflated.




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