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I agree that there's a lot of terrible stuff being produced, and you can go to any indie film festival and see movies with great scripts. But when you drop below the A list and look at the marginal, non-blockbuster movies, do you really need a good script to make money? Do producers and directors need a good writer? Is a good script or a good writer an asset to them at all?

To put it another way, what is a "good" script from the point of view of the movie industry, and how many people actually want to write one, and would be willing to put their real name on it?

If you look outside the blockbusters, and even at many blockbusters themselves, most scripts aren't that good. I know a few people who watch a lot of terrible movies who are kind of allergic to quality, or at least allergic to the aspiration to quality. They are tolerant of crap and want their movies to be tolerant, too. A friend of mine is a huge fan of horror and action movies, and the only movie he has ever walked out of was "The Thin Red Line." Why did that movie offend him, out of all the movies he's seen? It wasn't because it was bad. (He and I saw "Deuce Bigalo: European Gigolo" in the theater.) It offended him because it insulted his taste. It aspired to be better than the movies he liked. That's what I'm guessing, anyway.

So if you're in the movie industry and trying to get a non-A-list movie made, you have to think about who's going to go see it. Writing a "good" script by your own standards may be a mistake. Maybe writing a "good" script only proves you don't understand the business and won't be an asset to the people who can help you. Maybe showing some hustle, some talent at getting noticed, and some crass instincts is necessary, not to draw attention to your good writing -- nobody gives a shit about your writing -- but because hustle, self-promotion, and crassness is how you prove you can succeed in the industry and help them make money in the future.



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