Strongly disagree that "Brexit UK" doesn't have an appetite for the exotic.
It just has to be framed as such.
I find the museum experience in London to generally have the flavour of the spoils of a post-imperial shopping trip. Even the most radical intersectional globalized contemporary art stuff can be, and is, consumed and "recuperated" into commodity consumer culture. That's a given, and Brexit doesn't really change that orientation towards the exotic, foreign or just "new".
I find the museum experience in London to generally have the flavour of the spoils of a post-imperial shopping trip. Even the most radical intersectional globalized contemporary art stuff can be, and is, consumed and "recuperated" into commodity consumer culture. That's a given, and Brexit doesn't really change that orientation towards the exotic, foreign or just "new".