It's weird to see someone you think of as writing in a genre that kind of combines Dostoevsky, Kafka, and Nabokov with an almost fanatic pleading for empathy and communion -- described as someone who writes puzzles and brain teasers!
He wrote great stuff about addiction, entertainment, alienation, human communication, depression; stuff that to at least one withdrawn academic prone to sadness and anxiety was enormously powerful and redemptive and transformative.
He was a cerebral guy, he studied formal logic and math; that doesn't make him nonhuman! Is language not a valid, "people" thing to write about? People do have "trouble communicating," people are affected by the culture of television, even "postmodernism" and "irony" and "solipsism" are relevant in a deep, basic human sense for lots of (confused, lost) people.
(Granted, his nonfiction pieces are what I like best -- every essay in A Supposedly Fun Thing is gold -- still, Oblivion, Brief Interviews with Hideous Men, Infinite Jest are powerful books, though sometimes tragic on many levels.)
"It's weird to see someone you think of as writing in a genre that kind of combines Dostoevsky, Kafka, and Nabokov with an almost fanatic pleading for empathy and communion -- described as someone who writes puzzles and brain teasers!"
I didn't mean to characterize all of DFW as obtuse metafiction. But there's stuff in, for example, the Oblivion story collection, that is just, um, quirky, stories that focus on playing with ideas of character and narrative.
It's weird to see someone you think of as writing in a genre that kind of combines Dostoevsky, Kafka, and Nabokov with an almost fanatic pleading for empathy and communion -- described as someone who writes puzzles and brain teasers!
He wrote great stuff about addiction, entertainment, alienation, human communication, depression; stuff that to at least one withdrawn academic prone to sadness and anxiety was enormously powerful and redemptive and transformative.
He was a cerebral guy, he studied formal logic and math; that doesn't make him nonhuman! Is language not a valid, "people" thing to write about? People do have "trouble communicating," people are affected by the culture of television, even "postmodernism" and "irony" and "solipsism" are relevant in a deep, basic human sense for lots of (confused, lost) people.
(Granted, his nonfiction pieces are what I like best -- every essay in A Supposedly Fun Thing is gold -- still, Oblivion, Brief Interviews with Hideous Men, Infinite Jest are powerful books, though sometimes tragic on many levels.)