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Original post writer here; there is a plan to do this.

You are likely keeping them for a reason, but I'd like any and all unique copies.

I too wanted to make art. I had a coworker a long time ago that kept AOL CDs strung with string, it was a good ten feet roll.

AOL Client Software, along with game demos, browser installations, advertising, music, utilities, and varieties of promotional material... depending on which CD, and when it was made.

Just to throw additional information into the mix:

* The design was the first major overhaul of the back and front ends of the site in roughly 15 years. * Introduced to the public in a very light was in October 31st, thousands of modifications/fixes have happened since then. * The V2 interface truly hit major audiences around the beginning of January. So it's been roughly 4 months, in which feedback has been huge, and read. * If you visit the changelog, https://archive.org/CHANGELOG.txt - you can see the mass of changes that are occurring, nearly daily. * The site is nowhere near done.

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Are there public source repositories such that one can see the mass of actual changes occurring? Last time I looked I couldn't find anything corresponding among https://github.com/internetarchive

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That turns out to be a huge, huge technical issue but I can't imagine a future in which that doesn't happen.

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Hi, it's Jason Scott. I work for the Internet Archive but I don't speak for them, in this case.

So, first I'd like to make clear that none of the underlying collections or data has moved anywhere. That is, all the items that are in a collection of, say, newspapers or music performances are still there - the URLs are precisely the same and were designed to be permanent. Nobody's shifting those around here. Google searches work, and the site search works the same, using the same criteria.

Next, in the results pages, which include those "tiles" and infinite scrolling that is not to you taste, if you look in the upper right (next to the "Results" number), there's an icon that changes from tile mode to "list" mode. You can also turn on "details". That makes things into a list form, at least. However, for the moment, infinite scroll will still be engaged. Also note you can sort the list alphabetically, by creator, or by views.

After doing those two steps, is the problem at that point JUST the infinite scroll? Is that what makes it a mess for you? Or is it a different set of issues? I'm happy to hear it in this thread, but also, if you click the "beta" button in the upper right, and write exactly what you'd like, I guarantee it's read.

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Thanks for pointing out the list and detailed views. I missed that when looking this morning as was bummed because I can't stand the unaligned-boxes-of-different-heights view that so many websites go for these days. Maybe I'm just not used to it because I recoil from it every time, but it messes up my read-from-left-to-right nature.

That said, two annoyances I just noticed with the list view (braindump style):

There is no header. I have no idea what the columns are. I can only guess, and that is useless for e.g. the rightmost column here [0]. Mental thoughts as I view it: It's just an icon? It's not clickable and doesn't appear to show anything useful. The speakers change to blue when I have my mouse over them. What does this mean? It's still not clickable... what is it doing?

Another problem related to not having a header: when I sort by e.g. views, the views are not actually shown. Maybe I wanted to see that information as well as having the rows sorted by the column.

Oh wait, I just noticed that there is a header there... but it's not clear it's for the columns of the table underneath it. They're not aligned... and it still doesn't explain what that column of icons is. But now I see that the number of views is shown as the leftmost column. I guessed that it was some sort of filesize initially (1.6B, 377.7M, etc.).

One last thing, I wish clicking the column in the header would toggle ascending/descending sorting like almost every other table I've interacted with. It's not clear at first that I need to go all the way over to the left to toggle that behaviour.

[0] https://archive.org/details/audio

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Beside the following minor nick picks, I really love your project.

Please reduce or make your JavaScript a bit more efficient - mobile devices have little RAM. (cut the JQuery-extensions)

The Wayback Maschine (https://archive.org/web/) could look more lean like the Google frontpage.

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You should turn it on when browsing archive.org - you'll really need it.

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Hi, jacquesm. Can we talk about mirroring reocities?

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Nope, I'm going to do it, I'm going to focus right on one sentence and ignore all the compliments.

The BBS documentary was shot across 4 years on my own dime (no crowdfunding, my family helped pay for the camera) and traveling to 20 states, from 2001-2004, and then released in 2005. (10 years ago). This means some footage was shot as long as 14 years ago.

"Production Value" is a very specific term - it is almost always used to indicate skill or attention to the final product. All along the way for the BBS Documentary, I had to make choices. Remember, the Canon XL1 I shot with cost me $4000 in 2000, when it was bought. And instead of going with a handful of people, say, under 15, to tell the whole story, I chose instead to interview 201 people. This meant that sometimes in a single day I'd drive to up to 4 different homes, with miles between them, set up all the equipment myself, conduct the pre-interview and interview, and then move on to the next location. In one case I drove 500 miles to grab an hour interview with a figure who had popped up, and then drove back.

This was before DSLR became prominent, before HD was the norm. I could have gotten a full crew, but everything else would have suffered: the breadth of subjects, the locations, the variant voices. It's a choice I'm fine with.

I recognized, after BBS Documentary was done, that I'd want to move to HD, but in 2006, when I started filming GET LAMP, that cost me $10,000. I paid larger numbers for the new movies - $20,000 for the DSLR equipment. (Both GET LAMP and the new films are crowdsourced, based on the reputation of BBS Documentary.)

Choose your words carefully, please. I'll take "Dated", I'll take "SD", I'll take "Videotaped", but please don't imply I didn't sweat bullets over every aspect of the production, and that everything in there wasn't a best-of-all-circumstances choice made with the intent of finishing a project that many (at the time) thought was impossible.

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Aww geez, I had no intention for my remarks to be disparaging; quite the opposite.

I completely agree that, given your constraints, the better use of money was to interview more people. What I meant was that it's a shame you had to choose. I believe your efforts deserve more recognition, and more funding so you don't have to make compromises between interviewing more people or having more crew. You should have both. That's what I intended my remark to convey. By no means did I mean "This film is crappy, but I love it anyway." I meant "This film is wonderful. I wish the creator was better enabled so there were Blu-rays of this stuff, with crisp, clean HD video." Stuff like that.

> Choose your words carefully, please.

I truly did. I usually spend an inordinate amount of time writing emails/comments, trying to choose words that are clear and concise. Its a byproduct of my social anxiety (it stems from an ever-present fear that what I'm doing/saying will be misinterpreted). In fact, I'm probably going to miss breakfast because I've spent the past 45 minutes trying to write this comment and clear up the confusion... But, yeah, sometimes people have different meanings for different words. It isn't a reflection of whether they took the time to choose the words. Its a reflection of different cultures, and how they apply different means to words. I'm not a film maker, so I guess production value means something different between us. I'm sorry my comments did not communicate effectively. I truly respect you, and your work. Please keep making documentaries and doing what you do! There needs to be more of it!

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As someone who liked your documentaries, I think you're misinterpreting the previous poster. 'Production values' doesn't refer to skill or attention - those qualities are clearly present in your work. It just refers to those aspects of a work which are simple functions of money spent. To say your work has low production values, then, just means you clearly didn't have a large budget, which is true but nothing to feel bad about - you did a great job with the resources you had.

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I'm hoping that's the case, and I'm sure I'm oversensitive on this topic. It's just that subject was particularly important to me, and any impression that I didn't care so much about capturing that story before the chance to get the story was over just makes me over react.

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"High Production Values" implies, to me, cameras that cost many tens of thousands of dollars, several cameramen, dozens of other crew, etc. One person working extremely hard for many years with the most expensive cameras available on a high personal budget speaks _quality_ to me, but I would still use the phrase "Low Production Value". So I'd use that phrase reverently in this case, not derogatorily.

It's pretty awesome to hear the backstory too, so thanks for sharing =) I think I have a new documentary to watch!

EDIT: In other words, at least to this layperson...

> "Production Value" is a very specific term - it is almost always used to indicate skill or attention to the final product.

... isn't true for me. I use that phrase to refer to budget and equipment, not skill and heart. I think the same is true of most other people outside of the film world.

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Yes, I think you express my meanings clearly. Now I feel bad, because I had hoped to make Jason Scott's day better by recommending and praising his work, but I think I ended up making it worse :(

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We hugged it out, all is good. Apologies for the derail; the "artiste" is hypersensitive about his children.

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May I suggest you click on the little "X" in the upper right of the window of your browser with this story, which is short for "I am Xtremely beyond this"

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