> What makes that any better than some highly derivative AI generated rubbish I connect to about the same amount?
I think this is a fantastic question. Full disclosure, Guernica is one of my personal favorites and I initially felt pretty poorly about this particular string of words. But the implied question, "So what?", is literally what separates art from x. I don't think that there's a direct answer to this, but I'll do my best to articulate my feelings towards it.
When I was much younger and first learning how to play guitar, I heard that Eric Clapton was a guitarist that a lot of other guitarists looked up to. I decided to listen to his works and initially dismissed them. To my ears he sounded like a worse, more basic, more derivative version than the artists I was listening to at the time and I wondered how he could even be in the same conversations as other, more modern artists. It was later that I realized I had the arrow of causality wrong. He wasn't revered because he was the best or had taken the artform to the furthest reaches or would be successful today. He was revered because he exposed so many people to a new way of expressing themselves that they likely wouldn't have known about otherwise and certainly wouldn't have invented themselves.
This analogy applies directly to Picasso, I think. You mention you felt the piece was "aggressively pretentious". Where do you think that pretense comes from? There is a whole history to the deconstruction of art in the visual medium and a whole backlash to that deconstruction and a whole response to that and that's your cultural inheritance when you view pieces like this. You don't have to even be aware of this to know that it's affecting how you feel about the piece. I think one facet of "so what?" is that this piece has existed for long enough to generate discussion about its own worth and value and at the very least is spawning literally this post.
The fact that one could find the work with one word and have a discussion about it is also pretty incredible. I don't think a model generated output is that widely known. I do think that sort of cultural reach is a facet of "so what".
There are more answers to "so what?", but to answer your question directly, "what makes it any better", I think an argument could be made that it's not. "Better" when applied to art doesn't have any particular meaning in my mind. What makes it more culturally relevant, more widely known, more widely loved, more important, and more gratifying to study each have dozens of answers, and I think that's more interesting.
> Your answer to that is the answer to your question.
In what logical or philosophical framework does my opinion dictate your opinion? You're not making a grand philosophical point, you're frustrating the attempts of other people to understand your point of view and either blocking them from understanding your point of view or addressing your argument in a meaningful way.
If you cannot or will not engage in the conversation it would be more efficient and more purposeful for you to say so than the "whatever you say is what I say" falseness you're expressing in the above comment.
> In what logical or philosophical framework does my opinion dictate your opinion?
Because priors affect your conclusions.
For example, I don't like licorice, that makes me not like many kinds of candy. But I know that if a person likes licorice, they will have a very different view on these candies. Similarly how you define art affects how you see AI art, because its meaning is completely different to different people.
So for the example in question, I don't view a banana taped to a wall as art, but I know some other people do, and I understand why they do so, so answering that question tells us a lot about a persons priors.
If some don't understand why, I argue art needs to stand on its own, without the surrounding social context. If you view trash as art just because an artist told you, then the art isn't the trash the art is the artists explanation.
So, if you see a banana taped to a wall on a house when out walking, would you see that as beautiful art? If not, it isn't art according to my definition. The art piece is the whole thing, the banana and the explanation.
But many pictures can be considered art on their own without the social context, they are just beautiful and nice to look at. A banana taped to a wall doesn't pass that test.
Edit: So according to this definition AI art can be art, since some of those images can stand on their own as beautiful pieces of art without needing a social context.
It is a rhetorical device that nevertheless clearly explains the various thought groups of AI art. If one requires human creation rather than mere human intent to be art, then similarly they can't consider a banana taped to a wall as art, nor AI as art either. But if one considers the former but then discounts the latter, then that's a logical hypocrisy. I am of the group that considers both as art, because both require human intention.
Market-based hypothesis is that the person erecting the fence incurs costs and if the expected value of the fence isn't higher than the cost of erecting it, it wouldn't have been erected in the first place.
Of course mismanagement happens but the implied value of understanding why the fence was erected is to understand the expected value it would bring and understand the problem it was trying to solve. This does not imply that it should have been erected, just that there were others before you trying to solve a problem and if they're failing it's important to know why so you don't fail in the same way.
What are the downsides of taking a relatively affordable good that people enjoy and making it a luxury good for the rich only?
Is there a word that’s the opposite of “tautology”? Because this question seems like an example. It maps to “what are the downsides of decreasing quality of life for most people”.
It is about choices. You gain a certain amount of money and you can do various things with them. You can choose to eat 100 burgers I can choose to eat 100 carrots and buy a TV.
Antibiotic resistance implies "killing most of people faster" which in my book is worse than "decreasing quality of life for meat eaters".
I do eat meat occasionally, but I generally I am not able to eat all that I like each day (think: different cuisines, deserts, etc.) so maybe people just did not try enough stuff to enjoy more than one/two dishes... which in itself sounds sad to me.
It only has been a "norm" for a few thousand years during the agricultural era for the poorest of the poor, who could neither obtain hunting privileges, afford to keep their own animals, had no access to food, work or communal programs, which provided them with some meat, or there were significant famines which made the culling of livestock necessary.
Beyond that I'd argue we should strive to minimize class-based access restrictions to food rather than artificaly enforce them.
What is the downside of the scenario where only the rich can afford to own houses or land? After all historically, the rich owned the land and just allowed the poor to live there.
I'm not seeing how that context makes your comment make more sense. I am not seeing that they were charged with any kind of unreasonable extrapolation along the lines of "wanting to end meat consumption," nor why that would create context that sets up your dichotomy.
Now it sounds like you're saying you know there was a middle ground but were saying it anyway to make some kind of rhetorical point, but I don't know what rhetorical point you are making.
I think this is a fantastic question. Full disclosure, Guernica is one of my personal favorites and I initially felt pretty poorly about this particular string of words. But the implied question, "So what?", is literally what separates art from x. I don't think that there's a direct answer to this, but I'll do my best to articulate my feelings towards it.
When I was much younger and first learning how to play guitar, I heard that Eric Clapton was a guitarist that a lot of other guitarists looked up to. I decided to listen to his works and initially dismissed them. To my ears he sounded like a worse, more basic, more derivative version than the artists I was listening to at the time and I wondered how he could even be in the same conversations as other, more modern artists. It was later that I realized I had the arrow of causality wrong. He wasn't revered because he was the best or had taken the artform to the furthest reaches or would be successful today. He was revered because he exposed so many people to a new way of expressing themselves that they likely wouldn't have known about otherwise and certainly wouldn't have invented themselves.
This analogy applies directly to Picasso, I think. You mention you felt the piece was "aggressively pretentious". Where do you think that pretense comes from? There is a whole history to the deconstruction of art in the visual medium and a whole backlash to that deconstruction and a whole response to that and that's your cultural inheritance when you view pieces like this. You don't have to even be aware of this to know that it's affecting how you feel about the piece. I think one facet of "so what?" is that this piece has existed for long enough to generate discussion about its own worth and value and at the very least is spawning literally this post.
The fact that one could find the work with one word and have a discussion about it is also pretty incredible. I don't think a model generated output is that widely known. I do think that sort of cultural reach is a facet of "so what".
There are more answers to "so what?", but to answer your question directly, "what makes it any better", I think an argument could be made that it's not. "Better" when applied to art doesn't have any particular meaning in my mind. What makes it more culturally relevant, more widely known, more widely loved, more important, and more gratifying to study each have dozens of answers, and I think that's more interesting.