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I could not be happier about this article, and the fact that the two are presented next to each other. While I totally agree with @aspir in that both points of view are valid and deserve to be respected, I think this is the right attitude, and the one that will really get you ahead.

If photography is your full time job and you are not getting paid for it, sure you have a reason to complain. You are doing good work, and living on the streets. That's an injustice. But if you have a job, you're getting paid, and you are taking photos because you love to do it, I think it's the wrong attitude to try to get more money out of it. Because when you don't, it will spread, people will enjoy it, your reputation will go up, and you will end up making money from it either way.

This is the entire philosophy behind open source, and a big part of what the companies behind sopa are running up against. Don't try to stop people from "stealing" your digital stuff, offer it for free. And if you are struggling financially, or this is your main occupation, just ask them if they would give you money if they appreciate it. This model has been shown over and over to be effective on the internet. Humble indie bundle, Louis CK, Radiohead and other artists releasing albums for free, Lost Type Co-Op... that's just a couple examples.

So props to the author of this article for getting it and for standing behind this principle. Do it for the love, not the money. And if you do it for love, the money will come.




> "Because when you don't, it will spread, people will enjoy it, your reputation will go up, and you will end up making money from it either way."

This is actually precisely the point the original blog post was arguing against. Do you know how many times professional creatives hear that argument?

"You should do this for free, because it'll offer exposure and reputation."

Except, 99% of the time, the people saying this are unable any real exposure, or the level of exposure they control is considerably less than your position in the industry. It's such a landslide that the whole argument - while theoretically valid - just becomes a farce upon itself. Can you imagine a small-town paper asking to use Anni Leibovitz's work because it'll give her "exposure"?

If Vogue UK called me today and wanted me to work for them for free I'd jump on a plane this afternoon. Hell, if a local, well-known fashion boutique wanted free work, I'd jump too. But, for most professional photogs, the people approaching them for free work are not handing out a fair deal, and the "exposure" argument is bogus.

Not to mention, all of the pro photogs I know do hand out considerable amounts of work for free. They do already build their own exposure and reputation, so unless you are extraordinarily influential, why would they offer free work to you?


I'd also like to mention, since I apparently got downvoted because of this response, that it completely misinterpreted my original comment, quite clearly. When people ask me to do work for them for free, there's no way I'd agree. Of course that's stupid, and I've heard that plenty of times, and turned it down every time.

What I was saying, and what I thought I made clear but apparently didn't enough, was that you should be doing work because you love it. And if you do work in your free time because you love it, you shouldn't be throwing a hissy fit when you aren't making immense profits from it.

You should not do custom work for other people for free, I never advocated this. There is no indication in the original article that someone hired him to take that photo, and I would say it's fair to assume that he definitely was not hired to take it. He took it himself, because he wanted to, in his free time. And now he's complaining that he put it online and people want to use it. That's where I call bullshit.


I get your distinction, though I don't see how it's relevant.

Work that one does out of pure interest and passion, in their free time, is still valuable. I have a family friend who's retired, and intensely interested in woodwork. He has a workshop you wouldn't believe, and honestly doesn't need the money - and yet we always pay him for his work, custom or otherwise. And by this we don't mean simply covering his costs, either.

I'm going to specifically object to your characterization here: "you shouldn't be throwing a hissy fit when you aren't making immense profits from it"

That's just plain disingenuous, misleading, and putting words in the original blog author's mouth. He never said anything about charging immense sums to license his photos. His objection isn't being lowballed, it's that advertisers, magazines, and other for-profit entities value his work at $0 - zero.

The second thing he complains about is how advertisers only offer "exposure" in return. This is, of course, a line of bullshit. Either the people trying to license his photos are ignorant, or they're deliberately trying to take advantage of him. Being credited in the fine print of an ad, or worse, at the very bottom of a page in the back of a magazine, far from the actual photo itself, is worth zero publicity, especially when your photo is being used stock (as it is, in this case). The magazine/advertiser knows this, the photographer knows this - simply putting that on the table shows extremely poor faith, which is probably what triggered the rant in the first place.

> "He took it himself, because he wanted to, in his free time. And now he's complaining that he put it online and people want to use it. That's where I call bullshit."

So, again, if I am reading you correctly, you're saying that anything you produce in your free time out of personal interest is worth no monetary compensation, even when being used by commercial entities?

Disregarding the fact that, as a professional freelance photographer, everything he takes a picture of is a source of income. One does not have to be specifically commissioned to be on the job.


No, I think it all has monetary value, and by open sourcing anything you are technically losing potential money. This is especially salient for programmers, as I'm sure you know - nobody is trying to get paid for time working on linux, although they are still doing work and putting in hours that they could be billing for.

I'm not trying to devalue anyone's work or property, and if they insist that it all has value, it all belongs to them, and everyone should have to pay for it, that's fine. It's an opinion that I do respect, like I said originally.

I just think that a more open attitude is better, personally, which goes back to the original reason for my comment. Rather than trying to make money off every tiny piece of work you put out there, why not open source some of your work. For the good of the community. Sure, you will be losing some profit by doing this, but more people will be able to enjoy your work, and I think that's more valuable.

The author of the original article does not think this, and I understand that. He is not worried about having his work out there, or getting exposure, he apparently has enough, and he wants to get paid for it. That's fine.

I'm just trying to say that I don't personally agree with that philosophy.


Wasn't this exactly the point of the other author's article? He was irate with people saying they would like to take the photo for free in exchange for promises of "exposure" or because taking photos are something anyone can do these days. What isn't being addressed is those asking him weren't copying the photo for the love of photography; they were suggesting they take the photo for free and to print it in a magazine or advertising which does make those producers money. Is that a fair exchange? Do we as creative people on HN value this exchange?

We can argue the merits of making a living off being a photographer, but photographs are a creative work like any other. In the world of easy digital duplication, we are fast approaching the inability to produce creative works except with the support of patrons. I worry that this leaves creativity at a social disadvantage to physical commodities, selling Coke or furniture or razors or stocks, which are jobs that provide a steady salary that help people live. That these jobs are entitled to pay money and creative works are expected to be free except for the generosity of their consumers seems like strange social values.

Louis CK had the benefit of one large social push and it remains to be seen if he makes the same amount off a second album; Radiohead didn't give away their next album King of Limbs; and Humble Indie Bundle makes money consistently, but that money goes to charity. I want to be convinced that it is sustainable to produce creative works for free and survive on donations, but I simply think the evidence is too weak so far to support this conclusion just yet.


"I worry that this leaves creativity at a social disadvantage to physical commodities, selling Coke or furniture or razors or stocks, which are jobs that provide a steady salary that help people live" -- you're on to something here.

And you're right. Since anything and everything that is digital can be pirated, if you are trying to make a living only selling digital goods to the masses, it makes it a lot tougher.

The commenter below mentioned developers who put apps out in the app store, and that it would be hard to make a living doing that. That's for sure, it would be. That's why you put out an app in the app store as a side project, and use the leverage that it's popularity gives you to get a more high paying job making custom apps for companies who can't just buy the exact software they need off the app store.

If you are a professional photographer, I would assume that you get paid to do "gigs" - a photo shoot for a magazine, photos for a band's album cover, whatever. The magazine needs an expert to do this custom job just for them - they can't buy what they need for their fashion spread off a stock images store.

That's why making a living only off stock photos is tough. That's why making a living only off app store apps is tough. That's why making a living only off selling stuff in the envato marketplace is tough. And there are only a few of the absolute best and most popular people on these sites that actually do.

That doesn't mean if you're not one of the people doing this that you're not talented. That means you have to realize that putting out works, creative or not, into stock marketplaces or elsewhere in the open that many people could have a use for means that you should stop fighting it and just allow the many people to use them. It will be a good thing on the side, and boost your popularity, whether or not you could potentially be losing a bit of money, technically, by doing this.

If you need to make money, you should find a market where you are producing custom work for people who need it at a professional level. I write code for a living, and I try to make open source stuff as much as I can. I love the thought of people finding my stuff useful, and I code it for the love. But I also have enough money to pay the rent and for food because my main job does not involve writing general purpose code for the public, it involves writing very tailored code for one company at a time.


This is the conclusion I'm generally coming to, with regard to creative works. I think this is reasonable, in the same vein as HN really advocates you form a startup in a space where there is a unique opportunity-- you won't be able to be self-sustaining with your own product unless there are people willing to pay for it. Perhaps this is why being bought is such a common and lauded occurrence. Your startup was a demonstration and valuation of your skills, before finding profitable work in a similar field.

Yet I wanted to draw attention to specifically the hypocrisy of our implicitly boxing things like magazine sales and advertisements together as having 'viable market' and photo licensing as somehow not. In regard to the original article, maybe the photographer is being unrealistic in trying to sell sunset photos per se, but he certainly has the right to not let others profit off of his work in any part (a la the GPL), in his case, at least without compensation.

And in the long run, pure digital copying will change a lot of how we perceive creative works, but also traditional areas like magazines, movies, textbooks, games, etc. We need to accept a world when all these items are free, and understand how they will become sustainable. Let's not assume because small photographers and artists are the easiest to duplicate that we can criticize their marketing strategies and leave these larger industries alone.


I do agree with you -- the best way to grow yourself, your brand and the community is to give. However, the ones with the most to lose aren't hobbyists working for the love of the art, it's the professionals. Its a very slippery slope, but the process of releasing free work tends to drive down prices for everyone, for better or worse.

The best way I can think of to support this is the Apple App Store. Because of the widespread nature of apps priced from $0.00-$1.99, its nearly impossible for the average single developer to make a living only on apps, even though the software itself could be amazing, powerful, and solve painful needs.

To be frank, I honestly don't know if the community would be better with a different app store. I have no idea -- we can only take the one we have. I guess my point is just that there are always unforeseen repercussions with these decisions.




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