I walked out of the library today and was treated by the free books stand. I got Crime and Punishment, The Crucible, The Old Man and the Sea, and 4 others of equal caliber. And when I got home, I was reminded I'm out of shelf space. In mymind, that's a great reason to get a bookshelf. To my wife, not so much. Dead tree books have negative value to a growing percentage of the population.
BTW, for those buying, unless you're a reporter, I highly recommend the large size. If you look at the notebooks of great men, most tend to be closer to the larger size. Michelson is the one that sticks in my mind, since I walked past those notebooks every day for 7 years.
This is my reasoning as well. If I'd treat a paperback novel the same way as I treat my notebooks, stuffing them in my bag, taking them everywhere, they'd fall apart after a week or two. I select a notebook for durability (among a few other things, like not having squares or lined paper but rather blank, and having a convenient form factor).
However, while I do agree that Moleskine notebooks are absolutely gorgeous, I usually buy other types at about 1/3rd of the price.
Their diary/planner, however, is merely on the high price end for such things, not by a factor of three. And in the years I've used one of those (I use a much tinier planner now), I kept on being pleasantly surprised by their attention to detail in the design of tables, grids and bubbles you'd find in a planner, all of it really well-thought-out. But then, a pre-printed planner is not the same as an empty notebook.
> However, while I do agree that Moleskine notebooks are absolutely gorgeous, I usually buy other types at about 1/3rd of the price.
I used to do that as well, and felt Moleskines were just too expensive. Then I splurged on one a couple of years ago, and never had that feeling again. Don't know if I just feel that I get my money's worth, or that my brain just simplistically adjusted to the price.
Empty pages is also my thing. In general I have four, pocket sized one, A5 sized main notebook, A4 sized sketchbook for drawing, and a reporter style watercolor pocket one (I love the panorama-like landscape format for pictures).
That's because those empty books aren't truly empty. They're filled with imagined potential. Most purchasers estimate the value of that potential as high and are therefore willing to invest in something expensive to protect it and signal its worth.