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I love everything about this.

There is this undercurrent to our technology landscape. A kind of subculture somewhere in the locus of the hackersphere where a kind of punk-rock ethos rules the roost. I can only describe it as a live exploration of concepts _through_ technology, where functional fixedness is a foreign concept, including in the shared experience of social construct; everything becomes parts to be remixed in a way. In this place people just do things that, by way of having fun, just becomes art. It's emergent gameplay just by following a solitary "rule of cool."

I saw this page and was immediately transported back to the late 1990's and early 'aughts. The kind of "I glued these things together and just look" attitude that graced the pages of hackaday.com and slashdot.org. LED "throwies" come to mind.

In this case we have a de-facto art installation. I imagine that this was probably put together with odds and ends, maybe installed illegally, and probably doesn't have longevity in mind for its construction. It lightheartedly challenges some conventions, challenges ideas about privacy, brushes up against copyright, and is entertaining to boot. Most importantly, how it was made is less interesting than what it _does_, and where it carries the conversation of the observer. Or maybe: that's the point.






> how it was made is less interesting than what it _does_

That's the best part!


Well put. I agree 100%. Gives me hope in a way I can’t quickly put to words.

Funnily enough I've also heard throwies cited as evidence of some kind of cultural decline - "not a real hack" etc.

Does it fit the definition of a hack, or not?

as things become worse, standards lower

> ..a kind of punk-rock..

And my mind flew to Mogwai's "Punk Rock" (https://www.youtube.com/watch?v=dJ5_0AMEDag)


Covered incredibly by deafheaven (along side the track Cody)

https://www.youtube.com/watch?v=2GyIggA4b5w


you must be an architect

..of poetry

Very well put.

The Game Boy dot-matrix display is the icing on the cake!


About 15 years ago I read an NYT article where all corporate audio, at least of the musical variety, had if codes embedded in the streams that passive listener devices could pick up.

I believe the point was for detection of royalty fees for public playback of songs.

I since have heard nothing about this, was that article true, and could you use it for this project?

The undercurrent of my interest was the pernicious tracking aspect, which is hilarious given it preceded the smartphone and it's active monitoring of everything you do


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