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> Well, then they should be running honest businesses that won't be disrupted by some startup trying to give artists a good deal, rather than the raw deals they so frequently get, and they will therefore have nothing to fear.

But see that's the difference between "kill the industry" and "lets beat these guys". Kill the industry empowers people to do other things like pirate media because "this is war". But if people do that then even the honest media execs can't keep their business afloat.

On a larger note the issue is with our society becoming so hateful.

This is a little off topic but in 1918 Manfred Von Rechtoven , also known as the Red Baron, was shot down and killed behind enemy lines. At the time his record stood at around 80 kills (more than anyone else by far). And here (from Wikipedia) is what the Allied forces did...


In common with most Allied air officers, Major Blake, who was responsible for Richthofen's remains, regarded the Red Baron with great respect, and he organised a full military funeral, to be conducted by the personnel of No. 3 Squadron AFC.

Richthofen was buried in the cemetery at the village of Bertangles, near Amiens, on 22 April 1918. Six airmen with the rank of Captain—the same rank as Richthofen—served as pallbearers, and a guard of honour from the squadron's other ranks fired a salute. Allied squadrons stationed nearby presented memorial wreaths, one of which was inscribed with the words, "To Our Gallant and Worthy Foe".


Look at that in comparison with all the hatred and anger around here directed at the record companies and you can see why I find it so disturbing.

I can see where you're coming from, but I have to disagree. For one thing, I think you're reading too much into the word kill. In the the startup vernacular you always hear things like "company X promises to be the Y killer", and I really don't think "kill" in this context has any kind of mean-spirited undertones. It's just business. (Perhaps you'd like to make an etymological argument about the connotations of startup/business terminology being unnecessarily hateful, but that's irrelevant to the argument here).

As for your earlier point that disrupting Hollywood would mean replacing thousands of people with $30K jobs with hundreds with $150K jobs, that may very well be what happens. But the same argument could be made of any industry that gets infused technology or new ideas. Instead of taking such a reactionary approach and fighting to keep a seemingly dying industry alive just for the sake of the status quo, why not have a more productive discussion and think of real ways that the sometimes corrupt and, more importantly, no longer effective Hollywood model can be improved? Whether or not it comes from a trendy new YC-funded startup, it certainly seems like it's coming.

Personally, I find the idea of technological growth to the point of a "singularity" in the coming decades pretty compelling, and I think one of the biggest challenges we as a society will face is maintaining employment rates as technology continues to make things more and more efficient. Protecting those on the lower rungs in Hollywood and the music industry is certainly an important part of this.

> Look at that in comparison with all the hatred and anger around here directed at the record companies and you can see why I find it so disturbing.

I wonder how much of that is from media influencing society, which in turn influences media, looping it back around. Compare US media where almost all bad guys suffer and die painfully to those of some other countries, where few people are wholly evil and decent people are able to come to an understanding in the end, after fighting out their differences.

This is selective historical memory; society was in many ways less civil in the past. We had vice presidents and cabinet secretaries shooting each other with actual guns, newspapermen starting wars, etc.

Whenever anybody complains about hate, I usually find that what they mean is "don't get mad just because we deserve it."


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