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I use Fedora to jam online several times a week and to record a few times a year. The open source Linux music software ecosystem is behind proprietary software available on Windows and macOS but it can do what I need.

Audio system: JACK

DAW: Ardour 5

Synthesizer: zynaddsubfx

Pianos: PianoTeq 6 (proprietary)

Drum machine: Hydrogen

The lack of good drum kits and patterns is my current pain point.

I haven't tried Reaper or Bitwig on Linux yet, but they should be decent if you are willing to use proprietary software.

The Focusrite Scarlett 2i4 USB soundcard that I use is a class-compliant USB audio device and I've never had trouble with it.






Reaper and Live have spoiled me. I tried to like Ardour, and it would be great if it's all I had, but it has too many rough edges.

LMMS is good though. I must have made 200+ songs in it before switching to Reaper. I could get by with LMMS and the included synths if I had to. It makes me wish Reaper supported LV2.


I would agree, re: rough edges, if we were talking about Ardour 2 or 3, which both missed some important features and weren't as stable as I'd like. But in the last few years, ardour has improved. I do most of my work in it now. Would recommend it to anyone who wants a FLOSS DAW and isn't too dependent on mental models from other audio software.

If anything, LMMS has the rough edges. The interface lacks polish and consistency. There are some awkward things about using it (why do I have to make a blank bar before I copy and paste a bar into it?). And I've noticed some glitchy behavior - for instance, I just made a ZynAddSubFX patch that sounded different as a plugin in LMMS than when I used it in Zyn's own application. Strange behavior like that, but fortunately it's rare.

But all that considered, LMMS is still great, and I appreciate the work it's authors put into it. I don't think of it as a daw; more of a sequencer. But if your music is 100% digital synths and samples, it serves all your needs.

Right now I'm using: LMMS (sequencer), Ardour (daw), JAMin (mastering suite), and Audacity (swiss army knife). I like Reaper. I've used ableton live many times, and I still don't get it - I guess the workflow is optimized for live mixing? I found it less than ideal for recording in a studio.


>> "Would recommend it to anyone who wants a FLOSS DAW and isn't too dependent on mental models from other audio software."

I recommend against this kind of framing. It comes off as judgmental. My mental models form based on my needs and experience. They're just as valid as your mental models, needs, and experience. Your way of seeing my perspective leads to faulty assumptions about my experience and models.

For example...

>> "I would agree, re: rough edges, if we were talking about Ardour 2 or 3, which both missed some important features and weren't as stable as I'd like. But in the last few years, ardour has improved. I do most of my work in it now."

I tried 5 from Mint's repos. Yesterday. I try every version to see if it'll work for me. Ardour continues to be critically lacking for me, based on my needs. Take a step back any time you want to assume someone's view is based on not knowing something you know. It's much more likely you don't know what they know.


> My mental models form based on my needs and experience

Except that the workflow for e.g. Live or FL Studio or Bitwig is entirely different from the workflow for e.g. ProTools or Logic or Ardour.

So the extent that your needs and experience dictate a Live-style workflow, then sure, you're right. But if you don't actually know what you're doing or alternatively actually need the linear-timeline recording model of PT/Ardour, then there's no judgement here, just a correct observation.


I think we agree, and you should heed your own advice not to assume what someone else thinks.

What I mean by mental models: Some producers rely on their favorite DAW's workflow. I'd never tell someone to ditch the DAW they're more productive in. This is not a judgement. I'm not implying you don't "get" Ardour. On the contrary, I'm endorsing your approach: choose the DAW that meets your needs.

I said Ardour had improved a lot for me. I never said it would work for you. My comment was for the benefit of other people here. Giving a counterexample to your experience. No DAW is good for everyone. Ardour doesn't work for you. It does work for me. And if someone's looking for a DAW, I think Ardour is worth trying. I wouldn't tell you to try it.

And you already know it doesn't work for you, so you don't need to try again. I support you in sticking to the tools that you're most productive in. Nothing is more annoying than someone dictating what tools you use to do your job.


I love LMMS cause it's like FL Studio. I used to use FL Studio (pirated when I was a teenager) to make rap beats and even once a dubstep beat, though it crashed and I lost all my progress.... LMMS is awesome cause it's free so I can just experiment with it. I havent found the time to make some serious tracks though.

Also where do you get audio samples for LMMS? This is mostly my dilemma.


The best percussion I've ever had came from TAL-NoiseMaker. There's a Linux port.

https://www.kvraudio.com/product/tal-noisemaker-by-togu-audi...

LMMS also has its own percussion synth.

https://lmms.io/wiki/index.php?title=Kicker

As for samples, Echo Sound Works sends out occasional freebie packs on their newsletter. Their samples are usually good.

https://www.echosoundworks.com/free-downloads

Black Octopus Sound has a huge sampler pack that you can use in commercial stuff.

https://blackoctopus-sound.com/free-downloads/

Also keep an eye out for SFX packs around GDC (Game Developers Conference). Sonniss publishes one every year. You can probably find the (legit, official) torrents for past years.


This is wonderful, thanks! I had no idea GDC gave out free assets!

The company gives out free assets around GDC as promo, but I don't think it's from GDC.

> The lack of good drum kits and patterns is my current pain point.

True. But I have little tip for you: There's an experimental feature in Carla that lets you use Plug-Ins that rely on wine. Currently I use this feature with MT Power Drum Kit (decent sounding - still not ideal) and some other free Plug-Ins. But I will agree that this increases the fiddling and virtual wiring. As Carla is able to save all that, it's still quite handy.

By the way: I use the Native Instruments Komplete Audio 6, works like a charm (and only uses hardware switches). Do you use Gen1 or Gen2 of the Scarlett? - I've heard of some issues with Gen2.

Edit: I use the drums for making Metal music. Might not be ideal for other genres.


Thanks, I have heard that MT Power Drum Kit is nice and have tried some Windows VSTs like TAL NoiseMaker and U-NO-LX successfully.

I use the Gen1 Scarlett 2i4 and have also heard that later generations have some issues. My understanding is that the latest generation Sclarett devices are class-compliant USB audio devices but also rely on vendor software to enable certain features.


> The lack of good drum kits and patterns is my current pain point.

If you mean electronic drum samples, and are on a Ubuntu-based distro, give Sitala a shot:

https://decomposer.de/sitala.html


Thanks for sharing!

I looking for acoustic drums that have multi-layer samples so you can get the dynamics and detail of a real drum kit. A basic sampler instrument plays the same sample at different velocities (volume levels). Advanced samplers have multi-layered sample libraries so there are separate samples for different velocity levels and other nuances (they even have scripting engines so sample library authors can add logic for selecting which samples to play).


Ardour is pretty sweet. I do have Bitwig, but not latest as I can't afford to keep it upgraded!



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