Great article. Lots of good, concrete points, which is unusual for the subject matter.
This seems like an article for new designers, so I'll go ahead and chime in that I think the single most crucial thing you can do when choosing a typeface or making any other design decision is to be able to look beyond what you intended and see into what is actually conveyed. Once you've learned this skill, you'll no longer make dumb mistakes like trying to grab the audience's attention with the 30pt bright red candy cane font. Because doing that usually doesn't communicate "This is worthy of your attention". It communicates "The designer is desperate for your attention", and that's a surefire way to be ignored. So the chief rule is to put yourself into the audience's shoes, and make sure your design decisions don't topple under an (automatic, subconcious) examination of your motives.
What's particularly nice (and the reason I'm bookmarking it) is that even though a lot of it is type advice I've heard before in some form, it expresses it well and puts it all in one place.
Darn, I had a similar blog post sitting in draft form; but this is very well done - much better advice than I'm used to seeing on Smashing. I approve of this article.
Thank you, kadavy, we are listening. Over the last six months or so we've been trying very hard to improve the overall quality of the articles published on Smashing Magazine. One of the improvements we introduced is the so-called 'Smashing Magazine Experts Panel' where our articles are reviewed by experts (who are invited and paid for their reviews) before these articles get published online. There are also other things we do to ensure the good quality of the articles. We want to be a professional, reliable online publication for designers and web-developers.
Your feedback indicates that we are on the right way — thanks, we truly appreciate your time.
CSS letter-spacing is under-utilized on the web. Obviously I'm not suggesting it be used for body text, but elsewhere it's a very easy way to make your design stand out online and give the feeling that a print-design level of attention to detail was put in.
Ellen Lupton's 'Thinking with Type' is also an excellent resource for those who wish to have a basic understanding of typography and its principles. http://www.thinkingwithtype.com/
Good article, but they plagiarized Vignelli's quote (in the movie Helvetica) about 'I love you in' Helvetica Ultra Light and 'I hate you' in Ultra Bold without attributing him.
This seems like an article for new designers, so I'll go ahead and chime in that I think the single most crucial thing you can do when choosing a typeface or making any other design decision is to be able to look beyond what you intended and see into what is actually conveyed. Once you've learned this skill, you'll no longer make dumb mistakes like trying to grab the audience's attention with the 30pt bright red candy cane font. Because doing that usually doesn't communicate "This is worthy of your attention". It communicates "The designer is desperate for your attention", and that's a surefire way to be ignored. So the chief rule is to put yourself into the audience's shoes, and make sure your design decisions don't topple under an (automatic, subconcious) examination of your motives.