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I hope people don't think I'm being brusque here, but these comments are a classic case of an outsider looking at the system, admitting to be lazy and wondering why the rest of the world differs from their expectations vs. asking musicians what they think.

At its core, musical notation is succinct: a mixture of logic and unique symbols. Note markers are isomorphic to pitch. Rhythms subdivide with vertical lines. Special symbols and brief phrases denote beginnings, ends and loop points. (They're not usually in English) Geometric figures indicate volume and speed changes.

A competing system in my purview is "tracker" notation. It's vertical and generally only used on machines, but hand writable: It looks like: C-3 Eb3 G-3 Bb3




I have the same feeling. Music notation might be hard to interpret sometimes, but none of the alternatives actually solve anything. They do however introduce a whole lot of questions.

I think a valid comparison is the regular alphabet. It is, after all, a coding system for language in the same way that notation is a coding system for music. Most of the problems of that coding system (my pet peeve is english spelling) generally stem from conventions rather than problems with the alphabet (italian and german is much easier to spell correctly).

There might be some interesting alternatives (hangul!), but those systems come with their own share of problems and generally have no big benefits. I actually believe that musical notation is better fit for it's task than our current coding system for language.




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